OPERA


Reviews


Review: Cavalleria rusticana and Pagliacci (Royal Opera House)
The most popular double bill in opera, fabulously sung in a triumphant revival
Review: Eugene Onegin (Arcola)
OperaUpClose chooses 1960s England for its new version of Tchaikovsky's romantic opera
Review: The Rake's Progress (Wilton's Music Hall)
Stravinsky's opera given a fine musical interpretation by OperaGlass Works
Review: Semiramide (Royal Opera House)
Rare Rossini at Covent Garden, with Joyce DiDonato on imperious form
Review: Marnie (London Coliseum)
A new large-scale opera from ENO in a distinguished staging by Michael Mayer
Review: La Trag├ędie de Carmen (Wilton's Music Hall)
The Royal Opera's young artists in Peter Brook's reduction of Bizet's opera
Review: The Lighthouse (Hackney Showroom)
Shadwell Opera revives that rare beast, a ghost opera that delivers real chills.
Review: Lucia di Lammermoor (Royal Opera House)
Katie Mitchell's feminist take on Donizetti's tragic opera returns in its first revival
Review: Rodelinda (London Coliseum)
ENO revives Richard Jones's 2014 production with an outstanding cast
Review: Hamlet (Glyndebourne and tour)
A strong second cast for Brett Dean's new opera as it goes on tour