Review: Dardanus (Hackney Empire and tour)
English Touring Opera presents a rarely-heard 18th-century opera by Rameau
Review: Kings (New Diorama Theatre)
Smoke & Oakum's new play tackles issues of homelessness, with a magical twist
Review: Big Foot (Stratford Circus)
Joseph Barnes-Phillips presents this semi-autobiographical coming-of-age one-man show
Review: The Barber of Seville (London Coliseum)
Jonathan Miller's venerable production of Rossini's comedy, blissfully revived.
Review: Laika (Unicorn Theatre)
Bryony Hannah and Avye Leventis reinterpret the historical tale of the first dog in space
Review: My Name Is Rachel Corrie (Young Vic)
JMK Award-winner Josh Roche directs this play edited by the late Alan Rickman and Guardian editor Katharine Viner
Review: The Terrible Infants (Wilton's Music Hall)
Les Enfants Terribles return to the show, now celebrating its tenth anniversary
Review: The Norman Conquests (Chichester Festival Theatre)
Alan Ayckbourn's trilogy of plays gets a revival in-the-round in Chichester
Review: The Tin Drum (Liverpool Everyman)
By Robin Brown
A co-production between Kneehigh, Liverpool Everyman and West Yorkshire Playhouse embarks on a UK tour
Review: Rita, Sue And Bob Too (Bristol Old Vic)
Max Stafford-Clark directs the revival of Andrew Dunbar's play 35 years after his original production