Review: Pity (Royal Court)
Rory Mullarkey's catastrophic cartoon of a play opens at the Royal Court
Review: Allelujah! (Bridge Theatre)
Alan Bennett's newest play premieres at the Bridge Theatre, with Nicholas Hytner directing
Review: Two for the Seesaw (Trafalgar Studios)
William Gibson's play is revived 60 years after its premiere
Review: Ariadne auf Naxos (Opera Holland Park)
Opera Holland Park scores a triumph with its first-ever staging of a Richard Strauss opera
Review: A Monster Calls (Old Vic Theatre)
Sally Cookson's staging of Patrick Ness' original book for young adults arrives in London following a run at Bristol Old Vic
Review: End of the Pier (Park Theatre)
Les Dennis stars as an ageing comic in Danny Robins' new play
Review: Isabeau (Opera Holland Park)
A little-known opera by Mascagni staged by London's enterprising independent company
Review: Falstaff (Royal Opera House)
Verdi's (and Shakespeare's) fat knight and merry wives return to Covent Garden in triumph
Review: Alkaline (Park Theatre)
Stephanie Martin's living room drama is directed by Sarah Meadows
Review: The Skating Rink (Garsington Opera at Wormsley)
An exotic new mystery thriller is Garsington's final opera of 2018