Edinburgh's emerging artists can teach big theatres a thing or two
By Matt Trueman
Matt Trueman reflects on this year's fringe and the pivotal role of emerging companies
Edinburgh Fringe is suffering from geriatric Geronimo this year
Michael Coveney rounds up the surprising number of golden oldies up at the Edinburgh Festival this year
Gym addiction: The line between me and my play's protagonist became very faint
By Tom Vallen
As he opens his piece about body dysmorphic disorder, Tom Vallen explains how he came to create a piece about compulsive gym-going
My First Fringe: performing at Army@The Fringe has been an astonishing experience
Pauline Mayers explains why being at the Fringe for the 70th anniversary is important.
Is performing at the Fringe worth the costs?
By Paula Varjack
With escalating costs hitting performers, Paula Varjack asks if appearing at the Fringe is still a good investment
Clive Anderson: how much has actually changed in my 40 years at the Fringe?
By Clive Anderson
The presenter of Whose Line Is It Anyway? reminisces about his favourite Fringe experiences
I'm an atheist, but my Edinburgh play is all about God
By Richard Marsh
Richard Marsh explains why he's written a play all about God despite being a non-believer
My first Edinburgh: my agent told me I was terrible
By Shazia Mirza
Shazia Mirza remembers the lows of her first Fringe and how returning to the city feels far more refreshing