SHOWS AND TICKETS
- Stand-Up Comedy
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Has John straightened out? After years glued to his boyfriend, the couple have been through a sticky patch, and now John’s attached to someone else. Someone who is different in every single way. But can John give her what she wants, when he’s never been with a woman before?
Funny and eye-openingly fresh and frank, Cock is a provocative peep into relationships in these days of oscillating identities. It tussles with knotty twenty-first century questions: can we – and should we be allowed to – change if we want to?
Mike Bartlett is one of this generation’s leading writers for stage and screen. His work includes King Charles III (Almeida, West End and BBC) and the hit television series Doctor Foster. The Olivier Award-winning Cock premiered at the Royal Court and off-Broadway in 2009.
Contains very strong language and scenes of a sexual nature.
In 1941, in the middle of the Second World War, the great German physicist Werner Heisenberg made a strange trip to Copenhagen to see his Danish colleague Niels Bohr. They were old friends and collaborators, and together in the 1920s they had begun to lay bare the mysteries at the heart of the atom. But now Denmark was under German occupation, the meeting was fraught with danger and embarrassment – and Heisenberg was burdened with a terrible secret.
Why he went to Copenhagen and what he wanted to say to Bohr are questions which have exercised historians ever since. In Michael Frayn’s multi award-winning drama Heisenberg meets Bohr and his wife Margrethe once again to look for the answers, and to work out, just as they had once worked out the internal functioning of the atom, how we can ever know why we do what we do.
The City of London. The randy seventeenth century. Harry Horner wants to seduce as many women as possible, but he needs to convince their husbands that he’s physically incapable of any such thing. Cannily, his faux impotence also allows him to sniff out and unmask those respectably virtuous ladies who secretly ache for him.
But this virile villain hasn’t reckoned with Mr. Pinchwife’s sexy young spouse Margery, fresh from the rather too plain-speaking countryside.
Widely regarded as one of the filthiest and funniest plays ever written, William Wycherley’s The Country Wife has outraged and excited audiences for over 300 years (though not during the many years it was banned from both stage and print) and today still casts a provocative light on sexual mores.
Ada Harris spends her days dusting, darning, polishing and scrubbing. But her first glimpse of a ravishing Christian Dior dress sets her off on a journey that will change her life forever...
From the cobbled streets of post-war London to the shimmering avenues of Paris, Ada transforms the lives of everyone she meets along the way; but can she let go of the past and finally allow her own life to blossom?
This new musical, directed by Daniel Evans, captures the glowing humanity of the novella by Paul Gallico on which it is based. The production began in Sheffield, where it won three UK Theatre Awards including Best Musical.
At Hareford Hall in Hampshire, suspense is in the air. The family solicitor has found the long-lost heir to the Hareford title and riches. But, to everyone’s horror, he’s a Cockney barrow boy called Bill Snibson. As the Duchess determinedly sets out to transform him into a true gentleman, Bill’s sweetheart Sally wonders how she fits in to his new life. Before too long, Bill has to answer some soul-searching questions about who he really is.
This uproarious, much-loved musical comedy includes the enormously popular numbers The Sun Has Got His Hat On and Lambeth Walk. The revised version by Stephen Fry and Mike Ockrent, also featuring Leaning on a Lamppost, won the 1985 Laurence Olivier Award for Best Musical.
Rachel has been the voice for her deaf mother since she was born, but now she is restless to be heard for herself. Together, they have found sanctuary in a Quaker community that reveres silence. But the world is at war and it is becoming ever harder to live in Friendship. When a stranger arrives in their midst, their fragile peace is set to shatter.
This powerful new play from the acclaimed writer Charlotte Jones is a spellbinding exploration of the timeless challenges of bringing the truth to light.
A bang on the head during a cricket match at his boarding school has landed twelve-year-old Tom in the children’s ward of the spooky Lord Funt Hospital.
Luckily, he’s not on his own with the child-hating Matron and the scary-looking Porter. George, Amber, Robin and Sally are in there too, and they’re not taking things lying down. When the lights go out and the clock strikes twelve, they’re off. But will they let new boy Tom join their forbidden midnight adventures through the hospital’s labyrinthine realm?
This inventive tale of fun, friendship and the importance of kindness is adapted from David Walliams’s biggest selling children’s book of 2016.
When the local acapella group gather in the village hall they have every reason to look forward to their weekly rehearsal. There's Steven, 60, the Cambridge-educated choirmaster; Diane, his younger wife, who's desperate for a baby; Ben, who was once a professional tennis player married to Diane, who was once a model; and Bruno, a young history teacher, who cares for his mother. They appear to be the friendliest bunch you could imagine. Whatever their differences, whatever the problems they may have at home, all are happily bound together in their shared love of music. The two hours of laughter and harmonies fly by. Until one day newcomer Maggie knocks on the door and everything changes.....
A princess under a fairy’s curse pricks her finger on a spindle and sleeps for a hundred years, waiting to be woken by a prince’s kiss.
But hold on a moment. There’s a distinctly different slant to this story. The princess is beautiful and spirited but there are two princes and a lot of threatening thorns. As for the fairy who caused all the trouble in the first place – well, putting things right isn’t as simple as casting another spell.
Rufus Norris’s splendidly entertaining and mischievous version of the original fairy tale ventures beyond the usual ‘happy ever after’ ending with the prince and princess united. The course of true love never did run smooth – especially if your mother-in-law is an ogress with an unfortunate taste for human flesh...
A British Northern coastal town. Three young men are coming home from war. Their stories, set at different times over the last 100 years, are beautifully interwoven in this compelling new play by Anna Jordan.
What happens when the writer loses the plot?
Emma Watson is nineteen and new in town. She’s been cut off by her rich aunt and dumped back in the family home. Emma and her sisters must marry, fast. If not, they face poverty, spinsterhood, or worse: an eternity with their boorish brother and his awful wife.
Luckily there are plenty of potential suitors to dance with, from flirtatious Tom Musgrave to castle-owning Lord Osborne, who’s as awkward as he is rich.
So far so familiar. But there’s a problem: Jane Austen didn’t finish the story. Who will write Emma’s happy ending now?
Based on her incomplete novel, this sparklingly witty play looks under the bonnet of Jane Austen and asks: what can characters do when their author abandons them?